Rianne Pictures is driven by a passion and commitment for change.

A home for brave and authentic stories for filmmakers often cut out of opportunities

Founded in 2013 by filmmaker Caris Rianne, we were created as a home for working class creatives wanting to collaborate on film projects without the barriers often thrown our way.

Originally established in Harlow, Essex, we relocated our headquarters to Darlington in 2018 committing to decentralising the industry and increasing opportunities for filmmakers in the North. We now operate across the UK with a large group of dedicated volunteers.

Our work spans across film production, script development, filmmaker workshops and retreats, and our industry leading BIFA accrediated film festival Women X.

All guided by a clear set of principles that we follow, as we continue to lean in and listen to the industry and the new and ongoing challenges that filmmakers face.

Our 4 core principles

Equal Opportunities: Women must be considered, funded and included equally alongside men in the film industry. We look for further ways to make this happen, and hold those who feel it’s not important, to account. Listening to filmmakers through listening sessions and surveys, on challenges they are facing and the real support that they need.

Authentic Representation: What we see on screen shapes our understanding of both ourselves and the world around us, we’re committed to showcasing and developing more stories that showcase women led stories. Our festival programming, script competition and RP: Evolve programme drives this forward.

Breaking Down Barriers To Inclusion: The film and TV industry remains inaccessible to many creatives, especially those who are working class. We have lived experience of this and we’re determined to fight for the changes needed for both our peers, and young people who deserve those opportunities regardless of their backgrounds. Through low cost tickets for our festival and highlighting Northern creatives through the Northern Excellence awards, we continue to push for working class inclusion, and families who want their children to experience cinema at an accessible level.

Future Development: Opportunity shouldn’t end at entry level, creatives should have the support to return to filmmaking or pick this up later in life or after major life changes. Through RP: Evolve and our script competition, we create a chance to have your work celebrated and developed into industry ready standard.

The RP Slate

Coming soon: The Beth Complex (2026), Saint Agnes (2026), Infant Hercules (2026)

KEEP TRYING (2021)

LIKE A GIRL SEASON TWO (2019)

SISTER (2013)

COMING OUT FOR CHRISTMAS (2020)

LIKE A GIRL SEASON ONE (2017)

SHADES OF BLUE (2020)

FOXHOLE (2018)

EXTRA TIME (2016)

WHY ARE YOU SAD (2014)

COMING HOME (2015)

I WONDER (2017)

Feature Films

Demi (2016) is a coming of age drama about Dianna who falls in love with a new girl in her college class while her boyfriend is away at university.

Featuring a cast of upcoming actors and a fresh production crew, the film was made on a low budget of £4,000 and received £2,000 support through crowd funding for film festival submission fees and post production costs. The film was sound mixed at Pinewood Studios and edited and colour graded on looong train journeys while the team completed their university studies.

After several months of hard work in post production, we entered the festival circuit and after many many many rejections we finally started seeing acceptance emails. Demi made the official selection for Florida Film Festival, Canadian International Film Festival, Sweden International Film Festival and New Jersey Golden Door Film Festival. 

Director Caris Rianne won the Royal Reel award in the First Time Filmmakers category at the Canadian International Film Festival, and US based Production Company Carter Seagrove sponsored the films London premiere in September 2016.

Demi has been praised for its raw and honest script. EILE Magazine gave the film a four star review calling it "a powerful representation of a new generation of British LGBT Film" and to this day (ten years later!), we receive DMs and emails about how much the film means to young queer audiences.